1958, Japan, 93m
A folk heritage, this story is set in a time and place where food is scarce, and past a certain age, the elderly, to the accompaniment of formality and ritual, voluntary allow themselves to be abandoned atop a mountain top to encounter their death. Orin is such a lady, and over her final months, persuades her loving son to carry her on his back to meet an honorable end. Much of the power of the film derives from the austere string instrument and vocal balladeer accompaniment. It is a film of dignity in the face of elemental sufferings of aging and dying. In a powerful scene, Orin knocks out her teeth which she finds an embarrassment at her age. The movie is stylized, artificial, anthropological, yet universal in its concerns. As a saying goes, rice is life. Awesome.
Thursday, March 28, 2013
Tuesday, March 26, 2013
Enid
82m, 2009
It comes as something of a surprise, late in the day, that Enid Blyton was a mere mortal, with possibly some foibles thrown in--affairs, Alzheimer (or at least dementia). For those who at some time experienced the spell, the film cannot but be of interest. The mercilessly negative portrayal of her character may be shocking to them. But as a consolation, the movie is thought to be very biased.
It comes as something of a surprise, late in the day, that Enid Blyton was a mere mortal, with possibly some foibles thrown in--affairs, Alzheimer (or at least dementia). For those who at some time experienced the spell, the film cannot but be of interest. The mercilessly negative portrayal of her character may be shocking to them. But as a consolation, the movie is thought to be very biased.
Sunday, March 24, 2013
Anna Karenina
2012, 122m
A gaudy, slow, hard to finish, stylized version which neither adds to one's insight into the book, nor stands on its own. Even the tragic end is presented in a mechanical, gimmicky way.
A gaudy, slow, hard to finish, stylized version which neither adds to one's insight into the book, nor stands on its own. Even the tragic end is presented in a mechanical, gimmicky way.
Friday, March 22, 2013
Anna Karenina
1935, Greta Garbo, 92m
This excellent trans-creation compresses the sprawling stream of consciousness novel into an intense emotional drama. It is an achievement to preserve so much in the short run time. Greta Garbo is able to capture the poignancy as the world disintegrates around Anna. The concluding scene after the suicide as the train recedes with a melancholy whistle has a tragic grandeur. This is a great piece of black and white cinema. It's like and unlike the original but as true to life, human nature and art.
"Miss Garbo, always superbly the apex of the drama, suggests the inevitability of her doom from the beginning, streaking her first happiness with undertones of anguish, later trying futilely to mend the broken pieces, and at last standing regally alone as she approaches the end."..Andre Sennwald
This excellent trans-creation compresses the sprawling stream of consciousness novel into an intense emotional drama. It is an achievement to preserve so much in the short run time. Greta Garbo is able to capture the poignancy as the world disintegrates around Anna. The concluding scene after the suicide as the train recedes with a melancholy whistle has a tragic grandeur. This is a great piece of black and white cinema. It's like and unlike the original but as true to life, human nature and art.
"Miss Garbo, always superbly the apex of the drama, suggests the inevitability of her doom from the beginning, streaking her first happiness with undertones of anguish, later trying futilely to mend the broken pieces, and at last standing regally alone as she approaches the end."..Andre Sennwald
Wednesday, March 20, 2013
Great Expectations
David Lean, 1946, 113m
This excellent film serves as good a recreation of Dickens as you will find. In irredescent black and white camera work, Lean recaptures the teeming variety of characters and the writers tuning to the strings of the heart. The fragrant recreation of early nineteenth century England takes your breath away. I'm specially taken by a shot of the dusky London roof lines with wisps of morning smoke curling skyward.
"For, despite necessary elisions and compressions of favorite scenes, the picture is so truly Dickens—so truly human and noble in its scope—that the quality of the author is revealed in every shot, in every line. Mid-nineteenth century England—and a thrilling story—are crowded on the screen." ...Bosley Crowther
This excellent film serves as good a recreation of Dickens as you will find. In irredescent black and white camera work, Lean recaptures the teeming variety of characters and the writers tuning to the strings of the heart. The fragrant recreation of early nineteenth century England takes your breath away. I'm specially taken by a shot of the dusky London roof lines with wisps of morning smoke curling skyward.
"For, despite necessary elisions and compressions of favorite scenes, the picture is so truly Dickens—so truly human and noble in its scope—that the quality of the author is revealed in every shot, in every line. Mid-nineteenth century England—and a thrilling story—are crowded on the screen." ...Bosley Crowther
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