Friday, December 19, 2014

Korol Lir 1971...Kozintsev

This Soviet version of Lear is the finest of the several I have seen. It brings me closer to the heart of the drama. The great director brings to it a deep understanding of the play. The ambiance is a barbarous pre-medieval age, populated by cripples and destitutes, remiding one of Breughal. The mist blanketed Russian plain and a restless sea are captured in b/w. Multitudes appear with little justification except perhaps to palliate the censors and give it a socialistic stance by comparing it to the bad old days. Shakespeare in this play gives us nothing less than the grandeur and vastness of the inner world of human beings. His conception of Man is cosmic. Particularly well done are Lear's post abdication encounter with the two elder sisters, with Goneril giving an outstanding rendition of her part. Lear undergoes a spiritual transformation after the storm and his encounter with Cordelia as he opens his eyes to "fair daylight" is a literary tract to make us wonder. The climactic duel between the half brothers and the piling of bodies thereafter is something I grasped the first time. My words can hardly hope to suffice for this. This movie makes me want to read the play.

Wednesday, December 3, 2014

The Hunger Games: Catching Fire

Even Godfather 2 was not as good as its predecessor. This second dystopian spoof lacks the plot novelty of the first part, and is essentially a technology flavored film wanting in human interest. Finally, it struck me as an action flick, with objects or people criss-crossing the screen at a high speed. The main attraction of the film for those who saw No 1 is the compulsion to know "What next?" And I may yet endure 3 and 4 for the same reason.

Thursday, November 27, 2014

Hunger Games 2012

This film draws you in and keeps you hooked for a good 2 1/2 hours. What accounts for the success of the film and what does that speak of us and those who made it? It is a well told story with an unusual plot. The viewers of the online life and death drama are brutish and dull, They watch it with perverse and exaggerated relish. The dialog has a bizarre humor, like Tarantino. I can imagine squeals of laughter and delight in the cinema theater, as one character after another appear, like a circus or a zoo. The violence is not really graphic,so the watchers can stay in a relaxed comfort zone as they consume their pop corn. The power of the film derives from its central character, Catniss, the hunted huntress, seamlessly combining male and female qualities.

From Shakespeare onward, story tellers have understood that people love to watch blood shed. The Greeks had gladiators. We have wars, gangsters, genocides, bull fights. The game gets ever deadlier.

Wednesday, November 26, 2014

Macbeth 1971

This is a magnificent rending of the play, which enhances its macabre grandeur by putting into play the full powers of a great director. The story has been translated into the idiom of cinema, with the beautiful setting of the Scottish highlands replacing the more customary claustrophobic interiors. Polanski is the right man to tell this gory tale, having been a victim of the holocaust. His gut wrenching Pianist which depicts his native Poland in the Nazi era is difficult to confront a second time. In Macbeth he spares no punches. This is indeed an unforgettable trans-creation, true to the essence.

Thursday, November 20, 2014

Interstellar 2014

This is escapist fare, aimed at the box-office, a fairy tale based on science. The science behind it (black holes, worm holes , relativity) is professionally certified for correctness. It could be gleaned from Stephen Hawkings popular but difficult book. The story therefore has a fig leaf of plausibility, implausible as it is: a daughter ages past her parent, and inter galatial worm-hole travel. The movie itself, its scientific kite string notwithstanding, is a far fetched yarn designed to accompany a tub of pop corn, and keep the mind in tether for nearly three hours. Its a film without soul, purpose, or artistic merit; it could well be contrasted with Kubrick and Tarkovsky's ventures into the genre. The best part is the beginning on Earth itself, as environmental disaster closes in and a food crisis hits the race, necessitating immigration into space. From then onward it is more on the lines of Marvel Comics. The house was unusually full, and there was a round of applause from the audience! So obviously it is going down well with a section of people. It does have an educational aspect in terms of environmental concern and cutting edge scientific theory. I can imagine many an animated discussion taking place about it.