In this tragi-comic documentary, Moore again unloosens cannon fire on American society. He is a born clown and like the clown in Lear, he uses tears and laughter to lay bare the anomalies of our age. This time his target is the notorious American medical health care system, in which the profit motive appears the prime, and taking care of the old and sick, the least, of considerations. This is contrasted to the universal health care systems prevalent in Canada and Europe. In the final hilarious sequence of the film, Moore takes a boat load of sick citizens denied care in the US, landing up in Guantanamo Bay, where the incarcerated Al Qaeda suspects have access to state of the art treatment. Moore demands the same for his passengers, some of whom made heroic contributions during the 911 attack. Finally, they avail the excellent facilities in Cuba.
The term Sicko presumably applies to the greed which is the defining feature and driving force of American society. This is possibly the most scathing of Moore's films. Old age and sickness are primal human sufferings. To have access to timely, affordable and humane treatment, as is possible in many industrialised countries excepting the US, is a dream for most of us. Moore is an impassioned crusader as well as a gifted artist who cannot fail to have an impact on the ills he chooses to attack.