Wednesday, June 5, 2013

Requiem for a Dream

Darren Aronofsky, 2000, 100m
A powerful and beautifully crafted film about the hell of hard drugs. We see four addicts, an aging woman and three youth, rapidly sliding down a roller coaster. The only mercy shown is that all of them are alive at the end: the woman uncured of hallucinations even with ECT, and, among the youngsters, one in jail, another with an amputation, the teenage girl driven to prostitution.
Ebert: "...a travelogue of hell..."
To quote the director: "Requiem for a Dream is not about heroin or about drugs… The Harry-Tyrone-Marion story is a very traditional heroin story. But putting it side by side with the Sara story, we suddenly say, 'Oh, my God, what is a drug?' The idea that the same inner monologue goes through a person's head when they're trying to quit drugs, as with cigarettes, as when they're trying to not eat food so they can lose 20 pounds, was really fascinating to me. I thought it was an idea that we hadn't seen on film and I wanted to bring it up on the screen."

Tuesday, June 4, 2013

The Lost Weekend

Billy Wilder, 1945, 96m
An excellent and informative film about alcoholism, winning the best film academy award. What emerges from the film is that the essential cure germinates from making up one's mind. For those lacking first hand experience, it paints the intensity of the hold that drugs can have. Perhaps the ending is on the tame side. The views of Ebert, himself a recovered case, on the film, should be interesting. Wilder is a great story teller.
External review

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The Maltese Falcon

1941, 96m, John Huston
Among other attractions, is the sight of a man (Humphrey Bogart) heartily laughing with a cigarette tightly pressed between his lips. The cigarette is a key performer of noire and Bogart its leading exponent. A blend of humor, alluring b/w cinematography, action, improbable plot and consecutive witticisms--goes down smooth.                                                  
To quote from the Times:
"Bogart’s appeal was and remains completely adult — so adult that it’s hard to believe he was ever young. If men who take responsibility are hard to come by in films these days, it’s because they’re hard to come by, period, in an era when being a kid for life is the ultimate achievement..."
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Sunday, June 2, 2013

In a Lonely Place

1950, 90m, Humphfrey Bogart
A well crafted noire/mystery/thriller/romance to keep you hooked. Takes more time to watch than to forget.