A good man is transformed into a brutal criminal. The film is pure crystal: all that can be sheared is excised. A truthful person need not act. The absence of acting and expressed emotion does not imply none is conveyed: the camera itself becomes a beast of coiled fury. Objectivity is what Bresson aims at. In telling a powerful tale, Bresson gives a cold visual narrative. Speech is minimal and monotone. Finally he gives us an experience of taut power, a story that is as incomprehensible as reality itself. Could this happen to anyone?
OLD REVIEW
OLD REVIEW
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